In the picture
Imperial Monument to the Woman-Child we see many of the
obsessions that persecuted
Dalí in the years of the greatest
surreal effervescence, like the lions, a soft monster taken from the
Great Masturbator, the feared father figure, numerous allusions to sexuality and a first appearance of the famous couple of the
Angelus of Millet that later would become an icon of the Dalinian imagery.
